Category Archives: workshop

Matsuda & Vorreiter: The Future of Guitar Design Workshops 2015

 

Michi Florian

The Future of Guitar Design Workshops 2015
October 26, 27, 28     2015
A 3 day workshop with luthiers Michihiro Matsuda and Florian Vorreiter
Center for Transformative Media [CTM] at The New School
Sponsors: Parsons School of Design & Mannes School of Music
Free and Open to the Public

The Center For Transformative Media hosts a three day workshop with internationally renowned luthiers Michi Matsuda and Florian Vorreiter. The event includes afternoon round table discussions/panels and playing salons with Matsuda, Vorreiter, and invited NY area luthiers and guitarists; and evening lectures and performances with the instruments.
Organized by Ed Keller, Director, CTM.

Performers to include Michael Newman, Joe Ravo, Liz Hogg, Matt Leece, Thiago Pimental, and more TBA.

vorreiter

Monday Oct 26th
• 12 Noon- 3PM Meet and Greet
Wollman Hall, 65 West 11th Street, 5th floor
Roundtable, meet and greet, playing ’salon’

• 7PM-10.30PM Matsuda and Vorreiter: Lectures
Performers TBA
Kellen Auditorium, 66 Fifth Avenue, ground floor
Lectures, performances, discussion

Tuesday Oct 27th
• 1PM-5PM Round table, Techniques
Klein Conference room, A510, 5th Floor, 66 West 12th Street
Round table discussion; techniques demonstration, playing ‘salon’

• 8PM-11PM ‘Limits of Guitar’ discussion and performances
Kellen Auditorium, 66 Fifth Avenue, ground floor
Presentations focused on instruments that inspired the luthiers; what might constitute the ‘limit of the guitar’; performances, round table discussion

Wednesday Oct 28th
• 1PM-5PM Wrap up discussion
Wollman Hall, 65 West 11th Street, 5th floor
Roundtable, discussion, playing ’salon’

 

 

vorreiter closeupIn 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting edge present and future of guitar and instrument design. Curated and organized by Ed Keller,  co-sponsored by Parsons School of Design and Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.

 

matsudaexperimental02

Guests have included Ezio Blasetti, Marco Capelli, Perry Hall, Fred Hand, Ratzo Harris, Charlie Hunter, Gary Lee, Allan Marcus, Ava Mendoza, Dom Minasi, Michael Newman, Laura Oltman, Ken Parker, Joe Ravo, Gyan Riley, Barry Salmon, Aron Sanchez, Elliott Sharp, Ned Steinberger, Ola Strandberg, and Charles Yang.

Matsuda & Vorreiter luthiers’ lectures

Matsuda

 

Michihiro Matsuda and Florian Vorreiter

a luthiers’ double workshop / lectures / performances in two sessions
with performances featuring Elliott Sharp and Gyan Riley

October 23rd
• 3:30 PM – 5:00 PM: workshop
• 7:00 PM – 9:30 PM: lectures and performances

both events will take place at the
Mannes Concert Hall
150 West 85th Street, NY NY
Free and Open to the Public-  Eventbrite registration is required
https://matsuda-vorreiter-luthiers.eventbrite.com
https://www.facebook.com/events/792230964151636/

In an afternoon roundtable session, 3.30 – 5.00PM, master luthiers Matsuda and Vorreiter will conduct a hands on exploration & informal discussion of recent groundbreaking guitars from their workshops: Matsuda’s experimental archtop, and Vorreiter’s 8 string, ‘fusion’ classical guitar.  Both instruments radically stretch the boundaries of the design envelope. The luthiers will present key design aspects of these instruments and host a discussion on construction methods, materials, and design philosophy with guests.

This workshop will be followed in the evening at 7.00 PM – 9.30 PM by a formal double lecture and
performances on the instruments. Elliott Sharp, CTM Artist Fellow 2014-15, will play Matsuda’s
experimental archtop; performer TBA for the Vorreiter instrument. A panel discussion with Matsuda,
Vorreiter, Sharp, et. al. will conclude, moderated by Ed Keller.

 

matsudaJazzGtr
Michi Matsuda
http://www.matsudaguitars.com/
Pairing traditional woodworking skills with an innovative sense of design and construction, Matsuda builds around ten to twelve guitars each year at his lutherie studio in Oakland California. His instruments integrate fine materials with organic shapes and graceful lines.

 

 

 

 

 

florian
Florian Vorreiter
http://radikalguitars.wordpress.com/
http://www.vorreiterguitars.com/
The emphasis in Florian’s work is on traditional construction methods and state-of-the-art knowledge from research as well as elaborate measuring procedures (Chladni-modes, FFT-Analysis, deflection measurements). The unique sound of Vorreiter Instruments is accomplished by combining intuition
and scientific procedures.

 

 

 

 

* * *

In 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting
edge present and future of guitar and instrument design. Curated by Ed Keller, co-sponsored by Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.

Guests have included Elliott Sharp, Perry Hall, Ken Parker, Charlie Hunter, Ned Steinberger, Charles Yang, Ola Strandberg, Allan Marcus, Gary Lee, Fred Hand, Joe Ravo, and Ezio Blasetti.

http://ctm.parsons.edu/the-future-of-guitar-and-instrument-design/

The Future of Guitar and Instrument Design

2013-14-15 CTM Lecture, workshop and performance series
TrueTemp

In 2013-14, CTM presents a series of lectures, workshops, & performances focusing on the cutting edge present and future of guitar and instrument design. Organized and coordinated by Ed Keller, and co-sponsored by Mannes School of Music, the series functions as a platform to build cross divisional collaboration at The New School, and opens exclusive external collaborations. Internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers come together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.
.

In the Fall 2014, our guests include master luthiers Michihiro Matsuda and Florian Vorreiter;
CTM
Artist Fellow Elliott Sharp; and more TBA.

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In the spring of 2014, our guests included guitarist/teacher/technologist Joe Ravo, architect, designer and coder Ezio Blasetti. Guest performances and workshops will be linked to the lecture series via our  Collab course ‘The Radical Future of Guitar‘.

In the fall of 2013, our first guests in this project included some of the most internationally recognized and innovative guitar designers of recent decades: Ken Parker, Ned Steinberger, Ola Strandberg, and Gary Lee. Each lecture was accompanied by panel discussions, performances and demonstrations by internationally acclaimed artists including Allan Marcus, Charlie Hunter, Fred Hand, Charles Yang, Barry Salmon, Dom Minasi, & Ratzo Harris. Theorists and performers speaking on the current and future envelope of instrument design join these events; Martin Rosenberg was our guest in December in this capacity.

 

 

LECTURERS and GUESTS in the series:

matsudaJazzGtr

Michihiro Matsuda
Pairing traditional woodworking skills with an innovative sense of design and construction, Matsuda builds around ten to twelve guitars each year at his lutherie studio in Oakland California. His instruments integrate fine materials with organic shapes and graceful lines.

 

 

 


florian

Florian Vorreiter
The emphasis in Florian’s work is on traditional construction methods and state-of-the-art knowledge from research as well as elaborate measuring procedures (Chladni-modes, FFT-Analysis, deflection measurements). The unique sound of Vorreiter-Instruments is accomplished by combining intuition and scientific procedures.

 

 

 

ezioEzio Blasetti, registered architect TEE-TCG, is the co-founder of maeta design (2011), ahylo studio (2009), apomechanes (2009) and algorithmicdesign.net (2008). He has taught generative design studios and seminars at Pratt Institute, the Architectural Association, Sciarc, RPI, UTS, PennDesign and Columbia University.  His work has been exhibited and published internationally and is part of the permanent collection of the Centre Pompidou.

 

joe-ravo
Joe Ravo
A native New Yorker, Joe has performed with jazz greats Dave Brubeck and Stanley Turrentine and worked in the orchestras of various hit Broadway shows including, A Chorus Line, 42nd Street, Secret Garden, City of Angels, and Dancin’. As the guitarist of Johnny Rodgers Band (JRB), Joe has toured around the globe as a cultural ambassador for the United States. When MIDI (Musical Instrument Digital Interface) was introduced, Joe exploited his engineering background to develop software for Korg USA as a contract programmer. As well as serving as director of technology for Mannes College the New School for Music since 2000, Joe is currently on the faculties of the music conservatory’s preparatory and extension divisions.

 

KenAndYoYoFINAL

 

Ken Parker Currently building world class, innovative jazz archtop guitars in his personal shop Ken Parker Archtops, Parker was the founder of Parker guitars in 1991, a company which developed radically innovative electric guitars utilizing cutting edge manufacturing and materials.

 

 

 

 

ned

Ned Steinberger Today designing and building both electric classical bowed instruments and electric guitars and basses with his company NS Design, Steinberger was renowned in the 1980s for his use of carbonfiber in his eponymous Steinberger ‘headless’ guitars and basses from that period.

 

 

 

 

ola

Ola Strandberg’s line of ergonomically designed instruments extrapolate the design ideas seen in other ‘headless guitars’, and his innovations in neck profile design, CNC milling, materials, fanfret and tempered fretboards- as well as Creative Commons licensing much of his design work- make him one of the most exciting designers/builders today. CTM & Parsons will be partnering exclusively with Strandberg in Spring 2014 in a collab course studying the ‘Radical Future of Guitar’.

 

 


Gary Lee
Trained as a research scientist with a Ph.D. in biochemistry,
in 2007 Gary launched Lee Guitar Works and the transition to building guitars full-time. Gary’s research background inspires creativity, thoughtful design and exacting execution. His handcrafted classical guitars incorporate the best of traditional design with contemporary features such as adjustable-action necks, elevated fingerboards, double top laminate soundboards, bridges with 12-hole tieblocks, and rigid sides with solid linings for excellent projection.

 

As part of the series, CTM  presents theorists and performers speaking on the current and future envelope of instrument design.
What is at Stake with Ergonomics in Guitar Design, Martin E. Rosenberg [link to event description]

MartinMartin E. Rosenberg wrote his dissertation on the cultural work across the arts of the scientific concept of “emergence,” beginning with Henri Poincaré, Henri Bergson, and Marcel Duchamp, and ending with Gilles Deleuze and Félix Guattari, Ilya Prigogine, Francisco Varela and Thomas Pynchon.   He recently published on emergent behaviors, visible in music notation, in jazz improvisation and composition, and currently researches the cognitive neuro-science of improvisers. Originally trained in jazz composition at the Berklee College of Music, he has returned (after thirty years) to performing in the Pittsburgh area.