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In Service to Nothing: Intellectual Inquiry in the Open

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In Service to Nothing: Intellectual Inquiry in the Open
Symposium at The New School
The Center for Transformative Media and punctum books
November 7   11AM-6PM
66 West 12th Street, room A404
https://www.facebook.com/events/1671272699787129/

“In Service to Nothing: Intellectual Inquiry in the Open” is a symposium, co-hosted by the Center for Transformative Media, Parsons School of Design and punctum books, that takes as its launching pad three new and forthcoming titles by CTM+punctum authors–

• Michael Berger, ed., “Ravish the Republic: The Archives of the Iron Garters Crime/Art Collective” (Dead Letter Office, punctum books, 2015)

• Gavin Keeney, “Knowledge, Spirit, Law, Book I: Radical Scholarship (CTM Documents Initiative, punctum books, 2015)

• Marc Lafia, “Image/Photograph” (CTM Documents Initiative, punctum books, 2015)

— in order to think through what it might mean, currently, to practice radically speculative forms of scholarship that work to evade, escape, and critique neoliberal and institutional-bureaucratic capture, or, as Keeney puts it in his book, that would work “against neoliberalist anomie and the preservation of postmodern différance as means to atomize consciousness and instill … a society of control.” Further, Keeney writes,

“Why is the speculative confined to the arts, or—worse still—to cultural studies (the circularity of endless discourse present there mimicking knowledge production based on citation and interpretation of received wisdom)? How have the arts been isolated and rendered toothless since the inception of modernism, when revolutionary-critical and productive work was one of the key operative elements of the “architecture” of modernism (if not modernity)?”

How, also, for those of us working the veins of so-called “academic” discourses, can we resist what Sarah Schulman has called “the gentrification of the mind,” working instead, in the words of Michael Berger, “to make unprecedented collaborations between art and theory, spirituality and labor, crime and love, writing and noise”? Further, of the work of the Iron Garters Crime/Art collective, Berger writes,

“The unquestioned divisions between genres and modes and forms could no longer be tolerated. The Academy would have to be thrown into the street. Theory would have to be disrupted by economic brutalities. Culture would have to be rewritten by the powerless. Sexuality and desire would have to be undermined by artistic frenzy and mystical devotion. Above all, we would have to be reckless yet cunning like the most devoted outlaws, protectors of a Wild Outside that has no real analogue in human rationality.”

We can look back to Foucault’s Preface to Deleuze and Guattari’s “Anti-Oedipus,” to see the situation framed this way: “How does one introduce desire into thought, into discourse, into action? How can and must desire deploy its forces within the political domain and grow more intense in the process of overturning the established order?”

“In Service to Nothing” will gather together authors and publishers who are working to foster and enact speculative, avant-garde scholarly praxes that resist the business-as-usual of the Public Research Institution, the Digital Humanities, Academic Publishing, Neoliberal Capital, and the like, in order to reinvigorate the question of intellectual creation outside of its intensive “management” as “property” within the contemporary university. Further, speakers have been selected because of the ways in which their work productively emerges at the intersections between the Institution, the University, the so-called Street/Outside, the Studio/Workshop, the Gallery/Museum, etc.

SCHEDULE OF EVENTS:

11:00am-11:30am
COFFEE/TEA

11:30am-12:00noon
Welcoming/Framing Remarks by Eileen Joy + Chris Piuma (Co-Directors, punctum books)

12:00noon-1:00pm
Alison Kinney (author of HOOD, forthcoming from Bloomsbury in Jan. 2016) + Michael Berger (Iron Garters Crime/Art Collective)

1:00pm-2:00pm
LUNCH BREAK

2:00pm-3:00pm
Karen Gregory (Digital Sociology, University of Edinburgh) + Gavin Keeney (Agence ‘X’)

3:00pm-3:30pm
COFFEE/TEA

3:30pm-4:30pm
Marina Zurkow (Multimedia Artist + Interactive Telecommunications Program, Tisch School of the Arts) + Marc Lafia (Photographer/Filmmaker + author of IMAGE/PHOTOGRAPH)

4:30pm-5:30pm
Joseph Nechvatal (Multimedia Artist, Paris + author of DESTROYER OF NAIVETES) + Ed Keller (Center for Transformative Media, Parsons School of Design)

Matsuda & Vorreiter: The Future of Guitar Design Workshops 2015

 

Michi Florian

The Future of Guitar Design Workshops 2015
October 26, 27, 28     2015
A 3 day workshop with luthiers Michihiro Matsuda and Florian Vorreiter
Center for Transformative Media [CTM] at The New School
Sponsors: Parsons School of Design & Mannes School of Music
Free and Open to the Public

The Center For Transformative Media hosts a three day workshop with internationally renowned luthiers Michi Matsuda and Florian Vorreiter. The event includes afternoon round table discussions/panels and playing salons with Matsuda, Vorreiter, and invited NY area luthiers and guitarists; and evening lectures and performances with the instruments.
Organized by Ed Keller, Director, CTM.

Performers to include Michael Newman, Joe Ravo, Liz Hogg, Matt Leece, Thiago Pimental, and more TBA.

vorreiter

Monday Oct 26th
• 12 Noon- 3PM Meet and Greet
Wollman Hall, 65 West 11th Street, 5th floor
Roundtable, meet and greet, playing ’salon’

• 7PM-10.30PM Matsuda and Vorreiter: Lectures
Performers TBA
Kellen Auditorium, 66 Fifth Avenue, ground floor
Lectures, performances, discussion

Tuesday Oct 27th
• 1PM-5PM Round table, Techniques
Klein Conference room, A510, 5th Floor, 66 West 12th Street
Round table discussion; techniques demonstration, playing ‘salon’

• 8PM-11PM ‘Limits of Guitar’ discussion and performances
Kellen Auditorium, 66 Fifth Avenue, ground floor
Presentations focused on instruments that inspired the luthiers; what might constitute the ‘limit of the guitar’; performances, round table discussion

Wednesday Oct 28th
• 1PM-5PM Wrap up discussion
Wollman Hall, 65 West 11th Street, 5th floor
Roundtable, discussion, playing ’salon’

 

 

vorreiter closeupIn 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting edge present and future of guitar and instrument design. Curated and organized by Ed Keller,  co-sponsored by Parsons School of Design and Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.

 

matsudaexperimental02

Guests have included Ezio Blasetti, Marco Capelli, Perry Hall, Fred Hand, Ratzo Harris, Charlie Hunter, Gary Lee, Allan Marcus, Ava Mendoza, Dom Minasi, Michael Newman, Laura Oltman, Ken Parker, Joe Ravo, Gyan Riley, Barry Salmon, Aron Sanchez, Elliott Sharp, Ned Steinberger, Ola Strandberg, and Charles Yang.

The Limits of Guitar

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The Limits of Guitar
Friday, June 19 and Saturday, June 20th
Wollman Hall   65 West 11th Street Room B500, New York, NY 10003
Free and Open to the Public.

The Limits of Guitar at the New School is a two day event, hosted by The New School’s Center for Transformative Media [CTM] and Mannes School of Music. Curated and coordinated by Ed Keller, Director, CTM.

On June 19 and 20, guitarists, Mannes, Parsons and New School faculty, instrument builders and luthiers will meet to discuss the history and future of the guitar in a symposium/panel/demonstration format, along with two evenings of performance.

The event features composer/guitarist/instrument builder Elliott Sharp and bassist/painter Perry Hall [CTM Artist Fellows 2014-15]; guitarist Marco Capelli; guitarist and instrument collector Jeff Doctorow; luthier Gary Lee; guitarist Ava Mendoza; guitarist/faculty Joe Ravo; instrument designer and performer Aron Sanchez; and more TBA.

SCHEDULE:
Friday June 19
performances and discussion 7:00-10 p.m.

Marco Capelli
Ava Mendoza
Elliott Sharp
_ more TBA

Saturday June 20
Saturday afternoon panel discussion 2:00-5.30 p.m.

Marco Capelli
Jeff Doctorow
Perry Hall
Ed Keller [moderating]
Gary Lee
Ava Mendoza
Joe Ravo
Aron Sanchez
Elliott Sharp

Saturday evening performance 7:00-10:00 p.m.
Marco Capelli
Perry Hall
Joe Ravo
Elliott Sharp
_ more TBA

The event continues a two year program on guitar and instrument design organized by CTM and sponsored by CTM and Mannes School of Music, featuring luthiers and musicians including Ken Parker, Charlie Hunter, Ned Steinberger, Charles Yang, Barry Salmon, Ola Strandberg, Allan Marcus, Gary Lee, Fred Hand, Michi Matsuda, Florian Vorreiter, and Gyan Riley.

Matsuda & Vorreiter luthiers’ lectures

Matsuda

 

Michihiro Matsuda and Florian Vorreiter

a luthiers’ double workshop / lectures / performances in two sessions
with performances featuring Elliott Sharp and Gyan Riley

October 23rd
• 3:30 PM – 5:00 PM: workshop
• 7:00 PM – 9:30 PM: lectures and performances

both events will take place at the
Mannes Concert Hall
150 West 85th Street, NY NY
Free and Open to the Public-  Eventbrite registration is required
https://matsuda-vorreiter-luthiers.eventbrite.com
https://www.facebook.com/events/792230964151636/

In an afternoon roundtable session, 3.30 – 5.00PM, master luthiers Matsuda and Vorreiter will conduct a hands on exploration & informal discussion of recent groundbreaking guitars from their workshops: Matsuda’s experimental archtop, and Vorreiter’s 8 string, ‘fusion’ classical guitar.  Both instruments radically stretch the boundaries of the design envelope. The luthiers will present key design aspects of these instruments and host a discussion on construction methods, materials, and design philosophy with guests.

This workshop will be followed in the evening at 7.00 PM – 9.30 PM by a formal double lecture and
performances on the instruments. Elliott Sharp, CTM Artist Fellow 2014-15, will play Matsuda’s
experimental archtop; performer TBA for the Vorreiter instrument. A panel discussion with Matsuda,
Vorreiter, Sharp, et. al. will conclude, moderated by Ed Keller.

 

matsudaJazzGtr
Michi Matsuda
http://www.matsudaguitars.com/
Pairing traditional woodworking skills with an innovative sense of design and construction, Matsuda builds around ten to twelve guitars each year at his lutherie studio in Oakland California. His instruments integrate fine materials with organic shapes and graceful lines.

 

 

 

 

 

florian
Florian Vorreiter
http://radikalguitars.wordpress.com/
http://www.vorreiterguitars.com/
The emphasis in Florian’s work is on traditional construction methods and state-of-the-art knowledge from research as well as elaborate measuring procedures (Chladni-modes, FFT-Analysis, deflection measurements). The unique sound of Vorreiter Instruments is accomplished by combining intuition
and scientific procedures.

 

 

 

 

* * *

In 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting
edge present and future of guitar and instrument design. Curated by Ed Keller, co-sponsored by Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.

Guests have included Elliott Sharp, Perry Hall, Ken Parker, Charlie Hunter, Ned Steinberger, Charles Yang, Ola Strandberg, Allan Marcus, Gary Lee, Fred Hand, Joe Ravo, and Ezio Blasetti.

http://ctm.parsons.edu/the-future-of-guitar-and-instrument-design/

SIGNAL PATH: The Present and Future of SOUND and NOISE [or, Fury]

turbulence

‘Focusing and defocusing of a signal passed through a random turbulent atmospheric medium.’

SIGNAL PATH: The Present and Future of SOUND and NOISE [or, Fury]
Friday, May 30, 9 AM- 5PM
T. Lang Conference room, 55 West 13th Street, second floor, New York City
Free and open to the public

SPEAKERS / PERFORMERS
Elliott Sharp, Perry Hall, Joe Ravo, Eldritch Priest, Marc Couroux, Quinn Dougherty,
Brendan Byrne, Joe Saavedra; Danil Nagy, Lisa Ekle, Yuval Borochov;
Punctum Records Artists: Roger Sellers, Topher Sipes, Andrew Stevens
Organized and introduced by  Ed Keller, Director, CTM.

[speaker bios: https://www.facebook.com/events/475157329283875/permalink/484687074997567/ ]

Excerpts from the event at UStream:

More symposium footage at UStream event channel:
http://www.ustream.tv/channel/signal-path-symposium

SYMPOSIUM OVERVIEW
‘What is the signal path- the ‘information flow’ through ‘instruments’? What models and disciplines might be useful to invoke when asking this question?  Looking to computation, the way that memory is articulated is illustrative of the specific challenges faced when we contrast a more static form of storage, such as a flipped bit [or a printed page]- against a more dynamic form, such as delay line memory, a 1950s technology that used sound waves propagating through tubes of mercury. These examples underscore what might be at stake when we translate theories of noise to the sonic disciplines, and musical and sonic concepts to disciplines as diverse as geology, economics, material science, architectural design, and geo-politics.

This symposium offers an invitation to explore the space of research and practice in sound that is keenly attuned to the value of ‘noise’.  The intention is to reveal approaches both pragmatic as well as platforms theoretic,  across the political/arts/sciences spectrum. We ask: what kinds of exchange exist between these domains, and what evidence can be offered to ‘prove’ the existence of those exchanges? How can we re-imagine our concepts and definitions of ‘noise’ to suit the unique geo-bio-political situation we find ourselves in today?’ – Ed Keller

SUGGESTED THEMES [a partial list]
Pragmatics: evidence from designers, builders, software makers, players, composers working with      noise.
Noise and various forms of cryptomorphology situated against the potentially monotonic nature of various forms of temporality/capital [see Pasquinelli’s work on entropy]
• Models of different kinds of noise/time to re-situate sound practice, performance, composition
• Role of noise in cybernetic models of emergent and complex systems
Theoretical component- study of examples [both inside and outside music] who are thinking this through.
Parallels [apophenias] between concepts found in the discipline of cryptography, and sounds and patterns in the resonant world.
How does sound and noise manifest through geologies and geographies- thinking the post human;  large time scales in relation to sound; deep time recording and industrial landscapes [Andy Weir].

 

mercury

CHALLENGE CONCEPT [an OBLIQUE STRATEGY]:

“To give the statement life and colour, let me anticipate what will be explained in much more detail later, namely, that the most essential part of a living cell- the chromosome fibre may suitably be called an aperiodic crystal. ” Schrodinger, ‘What is Life?’, 1944

“The principal internal storage in the Univac I system is the 1000-word acoustic delay-line memory, consisting of 100 10-word mercury registers. Twelve additional 10-word registers function as intermediate storage for input and output; six more are spares. With modified circuitry, seven more channels control the temperature of seven mercury tanks, and one more channel is used for the 10-word Y- register. The total of 126 mercury channels is contained in the seven mercury tanks mounted on the backs of sections MT, MV, MX, NT, NV, NX, and GV. Each tank is divided into 18 channels. Physically, each of the 10-word register circuits is made up of three sections:

_ The acoustic delay, consisting of a channel in a column of mercury, with receiving and transmitting crystals mounted at opposite ends.
_ An intermediate-frequency (i-f) chassis, electrically connected to the receiving crystal, and containing amplifiers, a detector, and a compensating delay. The i-f chassies are mounted on the shell of the mercury tank which they serve.
_ A recirculation chassis, containing a cathode follower, a pulse former and retimer, a modulator, which drives the transmitting crystal, and input, clear, and memory-switch gates. These chassies are mounted in the sections adjacent to the mercury tanks.”
http://ed-thelen.org/comp-hist/vs-univac-mercury-memory.html

ABOUT THE EVENT
On May 30 2014, CTM presents two events engaging sound in both the performative and theoretical dimensions.

_ ‘SIGNAL PATH- The Present and Future of Sound and Noise [or, Fury]’, a one day symposium
_ ‘The Lost Weekend’, an evening of performances with Punctum Records

The SIGNAL PATH symposium is part of a year long CTM series, ’The Future of Guitar and Instrument Design’, that has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production. A full day symposium will include scholarly presentations, research papers, and instrument demonstrations; informed by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and ultimately considering the politics of ‘noise’.

‘The Lost Weekend’, an evening event with Punctum Records. will provide an opportunity for performance by symposium participants, and showcase some of Punctum Records’ artists:
Marmalakes, Taft, Battle Bend, Bridges, Roger Sellers, and David Moss; for the full ‘Lost Weekend’ lineup and program/venues: http://www.punctumrecords.com/lostweekend/
CTM and Punctum Books/Punctum Records formed an imprint/event partnership in 2013.
For more information on the books and recordings published and forthcoming, and the CTM
Future of Instrument Design lecture/performance series, please visit:
http://ctm.parsons.edu/the-future-of-guitar-and-instrument-design/
http://futureguitar.tumblr.com/
http://ctm.parsons.edu/publications-2/publications/
http://punctumbooks.com/imprints/
http://ctm.parsons.edu/a-rogue-frequency-book-and-record-launch/

 

VENUES
SIGNAL PATH: The New School T. Lang Center, 13th Street: all day event
https://www.facebook.com/events/475157329283875/

LOST WEEKEND: Wollman Auditorium, 11th Street, Punctum Records evening event
https://www.facebook.com/events/640671442654124/
Lost Weekend is organized by Punctum Records/Books [Eileen Joy, Dan Rudmann]; with
Ed Keller, CTM.

Post Planetary Capital Symposium

logo
Sunshine, Boyle

Post Planetary Capital Symposium
Monday, March 24, 2014 from 9:00 AM to 9:30 PM (EDT)
Co-organized by Ed Keller and Ben Woodard
Wollman Hall 66 West 12th Street 5th floor   New York, NY
Free and open to the public.

 


Introduction and opening of symposium

More symposium footage: http://www.ustream.tv/channel/post-planetary-capital

 

As the dull glow of nationalism and cold war politics has faded from governmental space programs it is little surprise that space exploration has undergone widespread privatization.
Yet it is only recently that potentially massive profitability has accelerated off-planet projects, replacing narrower and perhaps unrealistic dreams of space tourism with asteroid mining (purportedly a multi-trillion dollar industry) and long term Mars colonization. Such projects present an odd combination of new technologies (especially advanced robotics) and lower cost older technologies (rocket propulsion) deployed in unfamiliar and lawless territory.

While much has been said regarding the internal limits of capital, much yet remains to be said about how capitalist imperatives can be taken off-world, questioning whether capital[ism] has external limits as it begins to spread across the solar system and out into space. Is the fact that asteroid mining extends an old logic of environmental degradation rendered moot by its non-terrestrial location? Does off-world colonization by non-governmental entities lay troubling ground work for the advent of mega-corporations and unregulatable capitalism?

Furthermore, the complicity between capitalist expansion and space exploration which centers upon large-scale collective action potentially questions stock oppositions between capital and ecological betterment, technological progression and radical politics, as well as space travel and non-national collectivity. This one day symposium aims to address the potential strategies and claims surrounding these issues.

– Ed Keller, Ben Woodard

PARTICIPANTS
Julieta Aranda [artist / editor of eflux journal]
Amanda Beech [CalArts]
Kai Bosworth  [UMN]
Benjamin H. Bratton [DGP/UCSD]
Ed Keller [CTM/Parsons]
Deneb Kozikoski [Columbia]
Carla Leitao [RPI/Pratt]
Geoff Manaugh [Gizmodo/BLDGBLOG]
Rory Rowan [Wageningen University, The Netherlands ]
Keith Tilford [New School]
Ken Wark [New School]
Ben Woodard [University of Western Ontario]
Kazys Varnelis [Columbia Univ. GSAPP]

Additional speakers TBA

A Rogue Frequency: book and record launch

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Yume Cyan, Last Dance of the Fairies, Nagoya City, Japan (June 2013)

punctum and the Center for Transformative Media, Parsons The New School for Design are co-hosting A Rogue Frequency on Saturday, September 28th, from 5:30-8:00 pm @Kellen Auditorium, Sheila C. Johnson Design Center (66 Fifth Avenue), to celebrate the launch of punctum records and to feature a reading/sound/music mashup with musical artist Taft, plus Katherine Behar + Emmy Mikelson, Jamie “Skye” Bianco, Andreas Burckhardt (author of punctum’s A Sanctuary of Sounds), Rachel Cantor, Oliver Kellhammer, Léopold Lambert, Marget Long, Dominic Pettman, Allen W. Strouse (author of punctum’s forthcoming My Gay Middle Ages), and Marina Zurkow. Books will be available for purchase and there will also be a reception. The Facebook page for the event is HERE.