Michihiro Matsuda and Florian Vorreiter
a luthiers’ double workshop / lectures / performances in two sessions
with performances featuring Elliott Sharp and Gyan Riley
October 23rd
• 3:30 PM – 5:00 PM: workshop
• 7:00 PM – 9:30 PM: lectures and performances
both events will take place at the
Mannes Concert Hall
150 West 85th Street, NY NY
Free and Open to the Public- Eventbrite registration is required
https://matsuda-vorreiter-luthiers.eventbrite.com
https://www.facebook.com/events/792230964151636/
In an afternoon roundtable session, 3.30 – 5.00PM, master luthiers Matsuda and Vorreiter will conduct a hands on exploration & informal discussion of recent groundbreaking guitars from their workshops: Matsuda’s experimental archtop, and Vorreiter’s 8 string, ‘fusion’ classical guitar. Both instruments radically stretch the boundaries of the design envelope. The luthiers will present key design aspects of these instruments and host a discussion on construction methods, materials, and design philosophy with guests.
This workshop will be followed in the evening at 7.00 PM – 9.30 PM by a formal double lecture and
performances on the instruments. Elliott Sharp, CTM Artist Fellow 2014-15, will play Matsuda’s
experimental archtop; performer TBA for the Vorreiter instrument. A panel discussion with Matsuda,
Vorreiter, Sharp, et. al. will conclude, moderated by Ed Keller.
Michi Matsuda
http://www.matsudaguitars.com/
Pairing traditional woodworking skills with an innovative sense of design and construction, Matsuda builds around ten to twelve guitars each year at his lutherie studio in Oakland California. His instruments integrate fine materials with organic shapes and graceful lines.
Florian Vorreiter
http://radikalguitars.wordpress.com/
http://www.vorreiterguitars.com/
The emphasis in Florian’s work is on traditional construction methods and state-of-the-art knowledge from research as well as elaborate measuring procedures (Chladni-modes, FFT-Analysis, deflection measurements). The unique sound of Vorreiter Instruments is accomplished by combining intuition
and scientific procedures.
* * *
In 2013-15, CTM presents a series of lectures, workshops, & performances focusing on the cutting
edge present and future of guitar and instrument design. Curated by Ed Keller, co-sponsored by Mannes College of Music, functioning as a platform to build cross divisional collaboration at The New School, and opening exclusive external collaborations, this series has brought internationally renowned luthiers, designers, builders, materials innovators, composers, performers, theorists, and sound designers together to explore points of connection between the traditions of musical instrument design and sound production, and new forms of design thinking facilitated by materials science, emergent materials, parametric design, the internet of things, physical computing, networked sound, and the politics of ‘noise’.
Guests have included Elliott Sharp, Perry Hall, Ken Parker, Charlie Hunter, Ned Steinberger, Charles Yang, Ola Strandberg, Allan Marcus, Gary Lee, Fred Hand, Joe Ravo, and Ezio Blasetti.
http://ctm.parsons.edu/the-future-of-guitar-and-instrument-design/